Personalities of Seinfeld Characters...

According to wikipedia. Happened across one tonight (Elaine) and found it an entertaining read. Will start with her:

Elaine is normally intelligent and assertive, but also quite superficial. She is 'one of the boys', and despite the troubles they go through as a group, she remains the closest female friend to the main male cast throughout the entire series. Her traits are usually edgy and neurotic and she has a tendency to easily get angry with almost everyone. She has ruined her friends' ambitions, like throwing George's toupee out the window after trying to explain the irony behind it in "The Beard" or revealing what Jerry said in "The Cheever Letters" about the "panties her mother laid out for her".

Elaine is a serial dater, a trait lampooned in Season 7's "The Sponge", where she is desperate to buy a cache of discontinued contraceptive sponges before they are all bought up. She coins the word "spongeworthy" debating her then-boyfriend's prospects of intimacy at the expense of her inventory.[3] Her neuroses often interfere with her relationships, leading to the premature end of a blossoming relationship. For example, in "The Stall", Elaine is dating Tony, a very good-looking athletic type. After a rock climbing accident mangles Tony's face, Elaine admits to Jerry that she can't date someone who isn't attractive and wonders how long she is obligated to stay with him post-accident. Later, in "The Couch" after proclaiming her love for new boyfriend Carl, she immediately ends the relationship upon learning that he does not share her opinions on abortion. Elaine also is attracted to men with lucrative jobs, particularly doctors. Phone Post 3.0

Generally, her hair was long with curls or waves, but underwent changes since Season 5. By Season 7, her hairstyle had matured and had a more modern look for the rest of the series, even wearing it straight in Season 7's "The Wait Out" and "The Invitations". After cutting it short in "The Soul Mate", and growing it out in "The Bizarro Jerry", it was shoulder length again by "The Little Kicks", and straightened once more from Season 8's "The Summer of George" to Season 9's "The Betrayal". There were a few episodes in which her hair had an effect on mostly her boyfriends. In Season 9's "The Strike", it was damaged when affected by steam. In "The Smelly Car" a valet made Jerry's car and Elaine's hair smell like body odor. In "The Movie" George describes Elaine as having "a big wall o' hair".[4]

Her clothing is normally quite conservative. She usually wears formal dresses and whenever she's not at work, she'll wear her usual casual clothes. It is revealed by Peter Mehlman on audio commentary in "The Sponge" and "The Betrayal" that female fans favor the brown leather jacket that she wears from Season 7 onward. Occasionally she is entirely out of her usual attire, as in "The Betrayal" (when she wears an Indian outfit and hairstyle) and "The Millennium" (in which she dons Mayan dress). Elaine also wears glasses at times, usually during work hours.

Although she is friends with George, Elaine tends to be combative with him. Still, Elaine does see him as a good friend: in "The Wife", he argues with Elaine over her love interest, who is threatening to kick him out of the health club. The depiction of Elaine as smarter and more successful than George was occasionally reversed for comic effect: In "The Opposite", George finds success and happiness doing the opposite of whatever his instincts tell him, while the normally successful Elaine falls on hard times. In "The Abstinence", George becomes smarter while not having sex, but Elaine gets dumber. In a few episodes Elaine and George work together, most notably in "The Revenge" and "The Cadillac".

She does sometimes go to Kramer for help. She asks him and Newman to help her get rid of a neighbor's dog in "The Engagement". In "The Slicer", she asks him first to lose power at her neighbors' house and also to feed the cat with meat. In "The Watch" she asks him to pose as her boyfriend so she can dump Dr. Reston, her controlling psychiatrist boyfriend. In "The Soup Nazi", she asks him to watch an armoire for her on the street until she can move it in the following day. The only conflict is in "The Seven" over a girl's bike in which Newman is the judge over the dispute.

Elaine is the only main character who does not own a car. In "The Busboy" (off camera) and "The Pothole" she borrows Jerry's, and in "The Wait Out" she borrows her friend Elise's car. In "The Burning" she borrows then-boyfriend David Puddy's. Also, it's revealed that she is a horrible driver who slams on the brakes and wildly steers the car.

Elaine also has a very refined taste in film, citing many movies, plays, and characters throughout the series. She has a particular affection for the 1951 film A Streetcar Named Desire, revealed first in "The Fusilli Jerry" the episode where Elaine first begins to see David Puddy and an utter dislike for The English Patient. She remarks sarcastically to Jerry (after he expresses surprise that she would date Puddy, who is a mechanic) that it's "such a huge turn off" for her when Puddy comes home "dripping with animal sexuality like Stanley Kowalski". In "The Pen", Elaine shows her love for the movie when she becomes unintentionally high on muscle relaxers and repeatedly screams "Stella" at a fancy awards dinner for Morty Seinfeld in Florida. (See also: Vincent's Picks and Sack Lunch)

In "The Boyfriend", Elaine reveals her disgust for smokers, which helps lead to a breakup with Keith Hernandez. Her dislike of smoking also leads to an argument with a fortune-teller in "The Suicide". However, in "The Calzone" and "The Foundation" she is seen smoking with a Cuban cigar. She is also seen smoking a cigar in "The Blood", but only to make herself look bad in front of the mother of the child she's babysitting.

In the ninth season episode "The Maid", Elaine has a telephone serviceman in her apartment to change the apartment's phone number (in response to receiving numerous attempted faxes meant for Kramer). While the serviceman is at work kneeling beside the phone, and while holding a large candlestick, she speculates (heard via voice-over) whether it would be discovered if she killed the serviceman (credited as "Phone Guy #1" played by actor Sam Whipple). Upon learning that the new phone number will have the 646 area code instead of Manhattan's traditional 212, she tells the man: "You know, I could have killed you and no one would have known," to which the serviceman repeats those exact words back to her.

Jerry Seinfeld

In the show's setting, Jerry is the straight man, a figure who is "able to observe the chaos around him but not always be a part of it."[3] Plot lines involving Jerry often concern his various relationships - Jerry often finds "stupid reasons to break up" with women; which, according to Elaine, occurs "every week."

Jerry is generally completely indifferent to what goes on in his friends' lives, seeing their misery as merely an entertaining distraction, as well as an opportunity for joke material. He often plays along with their hare-brained schemes, even encouraging them, often just to see them fail. In the episode "The Serenity Now", Jerry is perplexed by the experience of crying, asking "What is this salty discharge?".[4] In "The Foundation" Elaine points out that he has "never felt remorse," to which Jerry replies, "Yeah, I feel kinda bad about that."[5] He will often nonchalantly state, "That's a shame" when something bad happens (often due to his or his friends' actions). A recurring joke is Jerry behaving unchivalrously towards Elaine, such as not helping her carry groceries or heavy objects, ignoring her when she is upset, and on one occasion taking a first class upgrade on a flight for himself, leaving Elaine in economy. Jerry, George and Elaine all share a general trait of not letting go of other character's remarks and going to great lengths to be proven right. In one episode, Jerry goes out of his way to rent a house in Tuscany, just because Elaine's boyfriend told him there weren't any available.[6] Another example is when he buys his parents the same car over and over again, at great financial loss.[7]

Despite his usual indifference to his friends and their actions, Jerry apparently is very satisfied with his life, to the point that he actually feels worried about anything that might threaten the group lifestyle. In "The Invitations", for example, Jerry admits that he feels depressed about George getting married, seeing as how George will eventually leave the group and Jerry will never see him again. Once Elaine told him that she was also "getting out" of the group, Jerry became so worried about a near future of just him and Kramer that he unknowingly almost walked into a car while crossing the street. In "The Bizarro Jerry", Jerry also grows panicky about losing the group dynamic when Kramer becomes too busy with his fake job and Elaine temporarily leaves to join the Bizarro group, claiming that "The whole system's breaking down!" Jerry himself perfectly sums up his relation to his three friends in the episode "The Letter". In a deleted scene from that show, he claims that his friends are "not more important" than his girlfriends, but "they're as important."

Unlike George and Elaine, Jerry rarely runs into major personal problems. In "The Opposite", this tendency is explicitly pointed out, as Jerry goes through a number of experiences after which he invariably "breaks even," even as his friends are going through intense periods of success or failure. Even when Elaine threw Jerry's $20 bill out of the window, he unexpectedly found one in his coat pocket, evening out his luck. In "The Rye", during a particularly trying time for Elaine, she angrily tells Jerry, "You know, one of these days, something terrible is going to happen to you. It has to!" Jerry simply replies, "No, I'm going to be just fine." Many of the problems he does run into are the result of the actions of his nemesis Newman, a disgruntled postal worker. In "The Old Man", George asks "What kind of a person are you?" in which Jerry replies "I think I'm pretty much like you, only successful."

However, Kramer persuades Jerry to do things that he's reluctant to do. In "The Mango", Kramer gets Jerry to buy fruit for him after Kramer is banned from the store over an argument with the owner. This continues until the owner bans Jerry, because his order is similar enough to Kramer's that it's obvious he's buying fruit for Kramer. The most famous example is in "The Chicken Roaster" in which Kramer and Jerry exchange apartments. This results in the two of them also switching personalities. In several arguments with Jerry, Kramer is incredibly stubborn, protecting his own interests. Examples of this include arguments in "The Chaperone," "The Face Painter," and "The Caddy." Probably the only exception is "The Kiss Hello" in which Kramer kissed Jerry as George walked in.

Jerry always wears a suit whenever he has to do his stand-up comedy act. In a few cases, Jerry wears an unusual item of clothing. Kramer has persuaded Jerry to wear the "pirate shirt" in "The Puffy Shirt", the cowboy boots in "The Mom & Pop Store" and the fur coat in "The Reverse Peephole". Like George, Jerry's hairstyle remains relatively the same throughout the series, though the length and thickness of it alters, especially from Season 3 onwards. There is one noticeable episode in which Jerry receives a bad haircut when he reluctantly agrees to get his hair done by an incompetent Italian barber in "The Barber".

As in real life, Jerry is a fan of comic book characters, particularly of Superman, who is his hero. As far as sports, Jerry is a fan of the New York Mets as evidenced as early as the episode "The Baby Shower" in which Kramer persuades him to install illegal cable by saying "The Mets have 75 games on cable this year." Jerry is also a fan of the Chicago Cubs, the New York Knicks, the New York Giants, the New York Rangers and the New York Yankees. In early episodes, a New York Yankees hat sits on the counter near his computer. Later on, by the middle of Season 3, it was replaced with a Mets cap, possibly to better reflect Seinfeld's real-life support of the Queens side. In the first episode of Season 7, Jerry is shown watching a Yankees game while on the phone with George.

Jerry never smokes a cigarette but is seen smoking a cigar in "The Calzone", "The Wizard", and in "The Voice". Jerry also does not appear to have any particular interest in alcohol as he is rarely seen drinking beer or any other alcoholic beverage; however, he is seen drinking beer with George once in "The Shower Head," wine at various meals, and keeps a bottle of Hennigan's scotch in his apartment, though he claims that he only uses it as a paint thinner.[8]

George Louis Costanza

George is neurotic, self-loathing, and dominated by his parents, yet is also prone to occasional periods of overconfidence that invariably arise at the worst possible time. Throughout Seinfeld??'?s first season, George was portrayed as a moderately intelligent character – at one point, he mentions an intellectual interest in the American Civil War and, in some early episodes, appears almost as a mentor to Jerry – but becomes less sophisticated, to the point of being too lazy even to read a 90-page book (Breakfast at Tiffany's), preferring to watch the movie adaptation at a stranger's house instead. However, one Chicago Tribune reviewer noted that, despite all of his shortcomings, George is "pretty content with himself".[19]

George exhibits a number of negative character traits, among them dishonesty, insecurity, and neurosis. Many of these traits appear to stem from a dysfunctional childhood with his squabbling parents Frank and Estelle, and often form the basis of his involvement in various plots, schemes, and awkward social encounters. Episode plots frequently feature George manufacturing elaborate deceptions at work or in his relationships in order to gain or maintain some small or imagined advantage or (pretend) image of success. He had success in "The Opposite", in which he begins (with Jerry's encouragement) to do the complete opposite of what his instincts tell him to do, which results in him getting a girlfriend and a job with the New York Yankees. His neurosis is also evident in the episode "The Note", where he starts having doubts on his sexual orientation after receiving a massage from a male masseur.

George sometimes refers to himself in the third person (for example, "George is getting UPSET!"), after befriending a person with a similar trait in "The Jimmy".

George's occasional impulsiveness often gets him into trouble, such as when he flees a burning kitchen, knocking over several children and an elderly woman in the process, so he could escape first during his girlfriend's son's birthday party in "The Fire". However, there are moments where George exhibits remarkable courage, but usually accidentally and often in support of inane lies to which he would rather not confess. For instance, in "The Marine Biologist", he goes into the ocean alone to save a beached whale because his date, a woman he had a crush on in college, thinks he is a marine biologist and even tells her the truth about his occupation after he saves the day. However, this causes her to reject him immediately, and he is forced to take the bus home.

George often goes to impressive measures to build and maintain his relationships with women. In “The Conversion”, he goes through the process of converting to the Latvian Orthodox religion as his girlfriend’s conservative parents would not allow her to date someone outside their religion. In “The Susie”, he deems it so important that he make a grand entrance at his work’s ball with his attractive girlfriend Allison that, upon finding out that she plans to break up with him, George goes to great lengths to avoid her before the ball, stating "If she can't find me, she can't break up with me.” Ultimately though, the one relationship he holds long-term, with his fiancée Susan, is the one he is seemingly least enthusiastic about, as shown by his ongoing efforts to first to postpone, and later cancel, their wedding and his rather calm reaction when she suddenly passes away. In fact, in "The Foundation", George shows greater emotion while discussing the death of the Star Trek character, Spock, in the movie, "The Wrath of Khan" than he did after the death of Susan.

George aligns with both Elaine and Kramer in some episodes, but is also frequently pitted against them. With Elaine, while he does get into arguments with her, they also work together, most notably in the episode "The Cadillac", although George states in "The Dinner Party" that he is frightened of Elaine. George and Kramer usually feel awkward around each other, but started working together (and against each other) in episodes "The Busboy", "The Stall", and "The Slicer". "The Susie" is the only episode in which their relationship is as prominent as the relationships between the other characters. Some episodes, such as "The Raincoats", "The Money", "The Doorman", and "The Fusilli Jerry", would suggest that Kramer has a more comfortable rapport with George's parents than with George.

He has an interest in nice restrooms and his personal bathroom habits that borders on obsession. In "The Revenge", he quits his real estate job solely because he is forbidden to use his boss's private bathroom. In "The Voice", he admits that one of the reasons he is staying at a job from which his boss has asked that he resign (for faking a disability), is because it gives him "private access to one of the great handicapped toilets in the city". In "The Busboy", he claims to have an encyclopedic knowledge of the locations of the best public bathrooms in the city. He proves this in "The Bizarro Jerry" when he directs Kramer to "the best bathroom in midtown" at the offices of Brand/Leland, even describing the layout, marble, high ceiling and toilets that flush "like a jet engine". In "The Gymnast", he told Jerry that he always removes his shirt when using the bathroom because "it frees me up... no encumbrances". It is unclear if he dropped this habit after an embarrassing incident (also in "The Gymnast") in which he walked out of a bathroom shirtless at a lunch party attended by his girlfriend, girlfriend's mother and other female members of her family. When working for the Yankees, he suggested having the bathroom stall doors stretched all the way to the floor (allowing people's legs not to be seen while in the stalls), and, in many episodes, he shows a fascination with toilet paper and its history. He also displays a fear of diseases, such as lupus and cancer. In "The Wife", George gets into trouble for urinating in the shower at a gym but defends his action with, "It's all pipes! What's the difference?" even threatening to call a plumber to back him up.

Although occasionally referred to as dumb by his friends, many signs point to the fact that George is actually quite an intelligent man despite his neurotic behavior. George's foolishness is displayed in the episode, "The Cafe", in which George had to take an IQ test and had Elaine take it for him. Apparently, George's neurotic stupidity would progress until it became one of his primary characteristics. By the season six episode "The Couch", he could not even concentrate enough to read a 90-page book (Breakfast at Tiffany's). In "The Abstinence", it is discovered that George actually has what would appear to be genius-level intelligence, but that he can never access it because his mind is always so completely focused on sex. When circumstances allow him to temporarily remove sex from his mind, he is able to reach his true intellectual potential, solving a Rubik's Cube, answering a string of questions on Jeopardy!, and giving Derek Jeter and Bernie Williams pointers on hitting based on Newtonian physics.

George and Jerry have been best friends since meeting in high school gym class. The extreme closeness of their friendship is occasionally mistaken for homosexuality. "The Outing" deals with a reporter from a New York University college paper mistaking Jerry and George for a homosexual couple, and, in "The Cartoon", George dates someone whom Kramer insists is merely a "female Jerry". When George is forced to note to himself that the idea of a female Jerry with whom he can have a close personal relationship and also a sexual relationship would be everything he has ever wanted, George, in horror, breaks off his relationship with the woman.

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Cosmo Kramer

Kramer has conflicting personality traits. A painting of him was described in "The Letter" by an art patron as "a loathsome, offensive brute"; he is sometimes shallow, callous, and indifferent. Though eccentric, Kramer is more often than not caring, friendly and kind-hearted; he often goes out of his way to help total strangers, and tries to get his friends to also help others and to do the right thing even when they do not want to. His quirkiness, strange body movements, and frequent gibberish mutterings (including "Yo Yo Ma!") [possibly a result from a blow to the head in "The Pitch"] have become his trademark.

Kramer also gets his friends directly into trouble by talking them into unwise or even illegal actions such as parking illegally in a handicapped space ("The Handicap Spot"), urinating in a parking garage ("The Parking Garage"), committing mail fraud ("The Package") or even hiring an assassin (who turns out to be Newman) to get rid of a dog ("The Engagement"). Kramer is also known to mooch off his friends, particularly Jerry. Kramer regularly enters and uses Jerry's apartment without his consent or knowledge, and he often helps himself to Jerry's food. Kramer is also known to use tools/appliances of Jerry's, only occasionally with permission, and often returning them in a state of disrepair. The reason for all of this is because Kramer is told "What's mine is yours" on his first meeting with Jerry ("The Betrayal").

Kramer is known for his extreme honesty and, correspondingly, his lack of tact; in "The Nose Job", he tells George's insecure girlfriend that she is as pretty as any girl in New York City; she just needs a nose job. Similarly, in "The Kiss Hello" when Elaine tries to take advantage of this personality quirk by inviting Kramer to meet her friend, Wendy, whom she feels has an outdated hairstyle, Kramer immediately comments on her hair as expected, but rather than hating it, he tells her he loves it. Instead of being horrified, many characters end up thanking Kramer for his candor. Kramer rarely gets into trouble for it, but his friends often do; this happens memorably in "The Cartoon" where Kramer makes comments to Sally Weaver (Kathy Griffin), who then blames Jerry for "ruining her life" as a result.

One explanation as to Kramer's personality and traits, with respect to his mysterious childhood and background, is hinted in "The Chicken Roaster". After a series of conflicts, Jerry is forced to live in Kramer's apartment and vice versa, which quickly has an effect on both characters. Jerry, bothered endlessly by the many oddities and idiosyncrasies associated with Kramer's home (as an example, the apartment creaks "like the hull of a ship" at night), quickly begins acting like his wacky friend. Conversely, when Kramer begins living in Jerry's regular and normal apartment, he quickly and briefly becomes more like his calm and quick-witted friend. The clear implication is that Kramer is radically and negatively influenced by his living environment, but has grown so used to it that he does not even realize the impact it has on him.

His relationship with George and Elaine is as moderately strong as with Jerry. He helps Elaine in "The Watch", "The Engagement", "The Soup Nazi" and "The Slicer", and helps George in "The Busboy", "The Stall" and "The Slicer". He clashes with Elaine in "The Seven" and with George in "The Susie".

His relationship with Jerry is very questionable. Simply put, Kramer excels at persuading a usually reluctant Jerry into doing things against his better judgment. Kramer also at times gets into arguments with Jerry, in episodes such as "The Chaperone", "The Kiss Hello" and "The Caddy". On the other hand, Kramer has displayed an almost unbending loyalty toward Jerry in many episodes (although he does once comment that he would turn Jerry in were he wanted for murder) especially when choosing to help him against Newman in many episodes, including "The Suicide" and "The Millennium" (in this episode, Kramer calls Jerry "my buddy" and even keeps a photo of them arm in arm at a previous New Year's Eve on his nightstand). In the same respect, Jerry has helped Kramer out of good will in some episodes and always seems to forgive and ultimately accept his friend's mooching tendencies. At times, Jerry is clearly quite entertained by Kramer's antics, which may also be a factor in the friendship's endurance. In "The Serenity Now", an overemotional Jerry declares a near-brotherly love for Kramer, to which Kramer easily responds, "I love you, too, buddy." The duo are so close that in one instance when Kramer was locked out of his apartment, Jerry even let him sleep in the same bed with him ("The Wig Master").

His relationship with Newman is defined from the start in "The Suicide", in which they get along very well. Like the main characters they also get into conflict with each other, most notably "The Junk Mail". Their get-rich-quick schemes are noted in "The Old Man" and "The Bottle Deposit". Kramer's most notable conflict other than with Newman is with Keith Hernandez in "The Boyfriend" until the baseball star straightens out the facts, along with the famous JFK parody and a battle-of-wits game of Risk, where the two are pitted against one another in a battle for world domination ("The Label Maker").

His relationship with Susan is mixed. Although they get along in "The Pool Guy", there are many episodes in which he makes her life a mess. He vomits on her in "The Pitch", unwittingly burns her father's cabin in "The Bubble Boy", dates Mona while Susan is a lesbian in "The Smelly Car" and after calling her "Lily" in "The Invitations," she insists that he not be an usher at her and George's upcoming wedding (she was also concerned that "he'd fall or something ...[and] ruin the whole ceremony").

Kramer's apartment is the subject of numerous radical experiments in interior design. Oftentimes, the "experiments" never happen due to Kramer's inherent short-attention span, including for example, his plan to eliminate all furniture and build "levels... [like] ancient Egypt" in "The Pony Remark". Other times, the experiments do come to fruition, like his reconstruction of the set of The Merv Griffin Show in "The Merv Griffin Show". Inside views of Kramer's apartment are seldom seen, but it is known that he installed hardwood flooring and woodgrain-like wallpaper to, as he explains to Jerry, "give it the feel of a ski lodge." The apartment is centered around a large hot tub and couch styled after a 1957 Chevy. The apartment is decorated with many small statues of people, all made entirely out of pasta: Kramer also gives these to his friends as gifts, for example to Jerry in "The Fusilli Jerry" and Bette Midler in "The Understudy". Kramer has also experimented with his apartment entrance, including reversing his peephole "to prevent an ambush" in "The Reverse Peephole and installing a screen door (after salvaging it from George's parents' house) in "The Serenity Now".

Kramer has a liking for smoking Cuban cigars. It starts in "The Wallet" and in "The Abstinence" he sets up a smoking club in his apartment, which included a regularly-scheduled "pipe night" for those who preferred pipe tobacco to cigars and/or cigarettes. His face gets ruined after so much smoking and he hires Jackie Chiles to sue the cigarette company, but instead ends up getting his image as the Marlboro Man on the Marlboro billboard in Times Square. At one point, he goes so far as to attempt to hire Cuban cigar rollers in an effort to make his own Cuban cigars (presumably for himself as well as for profit) in "The English Patient", but sadly (and typically), the scheme goes awry when the "Cubans" turn out to be Dominicans.

Interestingly, Richards' portrayal of the Kramer character closely resembles that of Stanley Spadowski, a janitor-turned-children's-television-host he played in the 1989 comedy UHF, starring Weird Al Yankovic.


Newman's role is primarily as a villain/enemy to Jerry and a collaborator in Kramer's elaborate and bizarre schemes. Often described as Jerry's "sworn enemy" ("The Andrea Doria"), Newman is cunning and often schemes against Jerry. He speaks often in a humorously sinister tone (mainly to Jerry). Jerry refers to Newman as "pure evil" on more than one occasion. The two generally greet each other this way, Jerry in a distrustful, baleful voice, Newman in a falsely jovial one:

Jerry: "Hello, Newman."
Newman: "Hello, Jerry."
Jerry's mother Helen also greets Newman in the same way.

The origin of the Seinfeld/Newman feud is never revealed. Newman's dislike of Jerry appears to stem from resentment at Jerry's status as a relatively famous comedian. Newman considers Jerry to be undeserving of his fame, referring to Jerry's audience as a half soused nightclub rabble that lap up your inane "observations." Newman's own talents as a poet and wordsmith are not inconsiderable, yet similar recognition to Jerry has so far eluded Newman.

When asked about why the character Jerry hates Newman, Jerry Seinfeld explained it in the Season 3 DVD inside look of the show, "He was the first person on the show, 'my own show', who was coming on to sabotage me in some way. And so why would I not hate him forever for that?"

Newman is a frequent source of annoyance to Jerry, such as in attracting fleas to the apartment ("The Doodle"), and generally making Jerry's life more difficult. Newman often seems quite amused at how effectively he irritates Jerry (which of course only irritates Jerry all the more), although any battle of wits between them rarely leaves Newman the victor.

However, the depth of Jerry and Newman's enmity seems to vary between episodes — or even within the same episode ("The Soul Mate") — and Jerry sometimes seems to consider him merely an annoying neighbor, rather than an outright enemy. Occasionally events lead one of them ("The Blood"), or both ("The Soup Nazi"), to briefly forget their differences. At times they even work together on some scheme, though with some reluctance on Jerry's part (and usually with mutual friend Kramer as a buffer). In "The Old Man", Jerry casually mentions "a couple of friends," referring to Kramer and Newman. Jerry and Newman also attend Super Bowl XXIX together, but only because of a ticket mix-up.

Newman is a good friend of Kramer's, and the pair are forever participating in various get-rich-quick schemes. In "The Bookstore", Newman and Kramer decide to use a rickshaw to transport people from place to place. In "The Old Man", Newman and Kramer try to find valuable records to sell for cash. "The Bottle Deposit" features the most creative scheme between Kramer and Newman to bring many deposit bottles (5 cents in New York) in a mail truck all the way to Michigan (10 cents each). Even Newman's friendship with Kramer, however, can be overcome by Newman's obsession to win in any situation; in "The Label Maker", he and Kramer play a game of Risk and when Kramer leaves the game board in Jerry's apartment for safekeeping, Newman goes so far as to sneak into Jerry's apartment via the fire escape with intent to rearrange the pieces' layout in his favor, although he is detected and flees before he actually changes anything.

As Kramer puts it in the episode "The Reverse Peephole", Newman can climb trees "like a ring-tailed lemur," a skill he claims to have learned in the Pacific Northwest. Despite his girth, Newman is a "fantastic" tennis player and a nimble runner. He is seen running athletically in several episodes. In the finale Newman claims to be one-quarter French. In "The Label Maker", Jerry reluctantly agrees with George that Newman is "merry", which appeared to be a compliment of sorts.

Newman takes his job as a mailman with pride but, paradoxically, is portrayed as a lazy worker with such habits as not working when it is raining or hiding bags of mail in Jerry's basement storage locker rather than delivering them. Despite such clear lack of respect for mail, he nevertheless impulsively protests the idea of any mail being considered "junk". He is sometimes known to use his job for corrupt purposes, such as purposely withholding mail (often utility bills or the like) for blackmail revenge, or using the Union to get himself out of jail.

Newman's angry rants directed against Jerry and, at times, the United States Postal Service in various episodes tend to be bombastic and verbose, displaying an impressive command of language. One of his most well known speeches takes place in "The Finale", after Jerry refuses to take him to Paris:

All right! But hear me and hear me well! The day will come, oh yes, mark my words, Seinfeld! Your day of reckoning is coming, when an evil wind will blow through your little playworld and wipe that smug smile off your face! And I'll be there in all my glory, watching, watching as it all comes crumbling down!

Seinfeld has been quoted as saying that he almost feels sorry for Wayne Knight, as his portrayal of Newman has typecast him to the point that "everywhere he goes, he must be greeted with 'Hello, Newman.'" In fact, during the Seinfeld DVDs special features, Knight recounts an occasion when he was having a particularly bad day, where after a series of unfortunate events, a fan happened to yell "Hello, Newman." This resulted in Knight releasing his long day's built-up anger on the unsuspecting fan.

There are a couple of episodes where Newman serves in roles other than Jerry's enemy and Kramer's friend. He collaborated with George in "The Calzone" in an attempt to find another way to get a calzone to George Steinbrenner. .

He has a few friends from the post office and girlfriends in a couple of episodes. In "The Bottle Deposit", after he is dumped from his mail truck, he seeks refuge in a farmer's house, but is kicked out for having sex with the farmer's daughter, who calls him "Norman". (This was an error on the actress' part, rather than a revelation of Newman's actual first name.) Newman was also seen with a supermodel after his birthday wish comes true in "The Betrayal".

Newman has a crush on Elaine over the course of the series, but ultimately in "The Reverse Peephole", he rejects her advances when she tries to seduce him to get back a fur coat she had thrown away that he found.

man i miss this show. later og.



OPs post is Yadda yadda yadda Phone Post 3.0

Later Phone Post 3.0

myersei - man i miss this show. later og.
You should be able to catch it. It's shown about 45 times a day on 20 networks. Set your dvr brah Phone Post 3.0

Man, I kinda care. But, not that much.

Fun fact: because there is more time set for commercials now than in the early 90s, you can't see the full original version of any Seinfeld episode on cable TV. They edited them down for more ad time. Phone Post 3.0

The only reason I turn to TBS.

Later Phone Post 3.0